Alison Krauss
Snapshot
Alison Krauss’ most recent triumph, the certified-platinum Raising Sand, her 2007 collaboration with Robert Plant and producer T Bone Burnett, notched up a total of six Grammy® Awards, including Album of the Year and Song of the Year, bringing her unsurpassed total to 26. That mesmerizing modern-day masterpiece sets the stage for another stunner: Paper Airplane, the artist’s first album of all-new recordings in partnership with her remarkably skillful and renowned band Union Station since 2004’s Lonely Runs Both Ways.
The players—Jerry Douglas (Dobro, lap steel, vocals), Dan Tyminski (guitar, mandolin, lead vocal), Ron Block (banjo, guitar) and Barry Bales (bass, vocals), with Krauss on lead vocal and fiddle—are five distinct personalities who come together to form something truly unique as a band. Each bandmate has his own bustling career, but when these singular musicians come together, they’re an airtight unit devoted to the process of making music together. Indeed, their connection is so close and deep that they’ve come to think of each other as family.
Produced by Krauss and Union Station, with studio legend Mike Shipley engineering and mixing, Paper Airplane contains 11 songs of poignancy and austere beauty, chosen with the impeccable taste and unerring intuition that have characterized her entire body of work, delivered by this world-class unit with an immediacy that goes beyond mere virtuosity.
Throughout her remarkable career, which spans a quarter century, though she’s only 40, Krauss has remained grounded and real. Deeply introspective as an artist, she’s commensurately outgoing and spontaneous in conversation—both sides of her character evidencing a life-embracing humanity. In her work, Krauss has managed to consistently locate the fertile common ground between traditional modes and topical themes. On Paper Airplane, she and the band somehow managed to plumb the depths of Krauss’ own psyche while also capturing the zeitgeist, so that this portrait of the artist doubles as a portrait of America as a whole at a crucial moment in its history.
The players—Jerry Douglas (Dobro, lap steel, vocals), Dan Tyminski (guitar, mandolin, lead vocal), Ron Block (banjo, guitar) and Barry Bales (bass, vocals), with Krauss on lead vocal and fiddle—are five distinct personalities who come together to form something truly unique as a band. Each bandmate has his own bustling career, but when these singular musicians come together, they’re an airtight unit devoted to the process of making music together. Indeed, their connection is so close and deep that they’ve come to think of each other as family.
Produced by Krauss and Union Station, with studio legend Mike Shipley engineering and mixing, Paper Airplane contains 11 songs of poignancy and austere beauty, chosen with the impeccable taste and unerring intuition that have characterized her entire body of work, delivered by this world-class unit with an immediacy that goes beyond mere virtuosity.
Throughout her remarkable career, which spans a quarter century, though she’s only 40, Krauss has remained grounded and real. Deeply introspective as an artist, she’s commensurately outgoing and spontaneous in conversation—both sides of her character evidencing a life-embracing humanity. In her work, Krauss has managed to consistently locate the fertile common ground between traditional modes and topical themes. On Paper Airplane, she and the band somehow managed to plumb the depths of Krauss’ own psyche while also capturing the zeitgeist, so that this portrait of the artist doubles as a portrait of America as a whole at a crucial moment in its history.
